No hunting on Reddit. No expensive hiring. Just match with the collaborators you need.
Built by a lyricist who faced this problem.
I'm Rachel. I needed singers and producers to complete my songs for sync licensing. Hiring them was so expensive I couldn't build the catalog I wanted. I built Collabs in Sync for myself—and for musicians like me who want quality collaborators, not expensive freelancers.
Profile profiles show everything that matters:
What they offer, what they need, where they are, their work style—all visible upfront.
No scrolling through hundreds of people. No guessing if they're serious. Match is mutual.
You set the splits. You set the timeline. No platform middleman. No hidden fees.
Hiring a session singer or producer costs $300–$1,000+ per song.
When you pay upfront, they deliver the work. Then you move on.
Profit-sharing is different.
When someone's incentivized by the back-end, they care about the quality of what you create together. They're betting on the same outcome as you: that the song is good enough to sync.
This changes everything:
You get quality collaborators who actually care.
They're not phoning it in. They're building a catalog with you. If the song gets licensed, you both win.
For sync licensing, this is exactly what you need.
You need people who understand that quality matters—because quality is what gets placed. Profit-sharing attracts people who get that.
Paid members get more outreaches per month ($9 or $15/month, depending on billing). Free members get 3 intros to test it out first.
You negotiate directly with your collaborators. We provide best-practice guides on what's standard in the industry. But the agreement is between you.
Yes. We recommend written agreements between collaborators. We'll link to resources on how to create them.
You decide that upfront. We recommend: each collaborator owns a percentage of the master and composition based on what they contributed.
AI is not accepted in most sync licensing deals. If you want to license on major platforms, you'll need human talent. That's why you're here.
Profiles with demos carry weight. People who post samples of their work are serious. Start conversations with people who have verified demos.
I've been there. I'm a lyricist, and I wrote dozens of songs I wanted to record for sync licensing.
But every time I wanted a high-quality vocalist or producer, it cost me $300–$1,000+ per song. At that rate, I couldn't afford to build the catalog I needed. I couldn't learn production myself—it's hard, and quality matters in sync. And AI isn't accepted by most sync libraries, so that wasn't an option either.
So I built Collabs in Sync. A place where musicians like me could find co-creators who are excited to make great music together—and share in the back-end revenue if we get sync placements. No expensive hiring. No middlemen. Just people who want the same thing: to create quality music and get paid for it.
Now I'm matching with singers and producers who love the work and the upside. My songs are better. My collaborators are invested in making them hit. And we all win together if it gets licensed.
If you're tired of hunting for collaborators, you're in the right place. Let's build something good.
— Rachel